"When I was a Little Cuban Boy" by Richard Blanco:
O José can you see… that’s how I sang it, when I was
a cubanito in Miami, and América was some country
in the glossy pages of my history book, someplace
way north, everyone white, cold, perfect. This Land
is my Land, so why didn’t I live there, in a brick house
with a fireplace, a chimney with curlicues of smoke.
I wanted to wear breeches and stockings to my chins,
those black pilgrim shoes with shiny gold buckles.
I wanted to eat yams with the Indians, shake hands
with los negros, and dash through snow I’d never seen
in a one-horse hope-n-say? I wanted to speak in British,
say really smart stuff like fours core and seven years ago
or one country under God, in the visible. I wanted to see
that land with no palm trees, only the strange sounds
of flowers like petunias, peonies, impatience, waiting
to walk through a door someday, somewhere in God
Bless America and say, Lucy, I’m home, honey. I’m home.
Obama's choice of Blanco was inspired, with both men searching for meaning as sons of immigrants. Here is what the NYTimes said of Blanco's background:
Like many immigrant families, Mr. Blanco’s parents wanted a better life for their son. “The business was survival,” he said. He was instructed that he had three career choices: doctor, lawyer or engineer. He was “a whiz at math,” he said, so he chose engineering, suppressing his creative side (and his homosexuality) to win the approval of his grandmother, who thought he was too feminine.
As an engineer, Mr. Blanco helped design bridges, road improvements and an architectural site plan for City Hall in South Miami. But in his mid-20s, he said, he began asking himself questions about “identity and cultural negotiations and who am I, where do I belong, what is this stuff about Cuba my parents keep talking about?” Suddenly he felt “a deep need” to write.
Mr. Blanco decided to pursue a master’s degree in fine arts and creative writing, taking courses at night at Florida International University, where he had earned his engineering degree. His mentor there, Campbell McGrath (who also happens to be a childhood friend of Elizabeth Alexander, Mr. Obama’s first inaugural poet), said Mr. Blanco’s facility with numbers and structural design shines through in his writing.
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